
Though that summary sounds like the story is all premise, no execution, I think Vaughan manages to ride his thought experiment into some fascinating and progressive territory in regards to gender (duh), but also politics, performance, and identity itself. The project needs good writers, and the latest scribes to sign on are all veterans of shows I've never seen nor really heard anything about (Jericho and Warehouse 13).
What worries me most is that it seems the project is still being imagined as a theatrically released film, rather than the HBO (or AMC, or even Syfy) miniseries its complicated and lengthy plot clearly requires. Kids, I'm concerned.
Angst Level: 9
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